Enjoy this fun video of GlitterGirl getting down on New Year’s day to “Owner of a Lonely Heart.”
Posts Tagged ‘twirling’
Poi Fire Dancing Video: GlitterGirl, 1.1.09, Owner of a Lonely Heart
Sunday, January 11th, 20092 Mindsets Every Flow Performer Needs to Know About
Tuesday, October 7th, 2008One of the gifts you get when you teach students, is the opportunity to learn from them as they are learning. For someone who has been performing for a while, looking through the eyes of a first time performer offers so much insight.
When given the opportunity to witness the journey through the eyes of 3 students who performed with me for their first performance ever, I was reminded of the 2 mindsets that have helped countless students evolve over the years and was inspired to share. First is this one:
‘Grace’ is not demonstrated when things are going right; rather, when things aren’t going as you intended them to go.
As I was having a great conversation with one of the budding performers after the show, she commented on how effective it was for her to smile and bounce around as she was untangling her poi. It makes sense when you think about it — would you rather watch someone bouncing around, smiling and looking comfortable with their experience or someone who is disconnected from the audience as they are working through the tangle? This experience can be summed up by embodying grace.
As we continued chatting, I was reminded of another important idea that I also shared with her:
They will never know what you intended — only what you showed them.
As you consider this mindset, imagine coming off the stage after your performance and someone commenting on how good your set was. It may be, however, that in your own mind you are focused on what didn’t go as you had imagined it would so you might say something to your fan about how it could have been better. If the fan looks at you like they don’t understand, it could just be that all they saw was what you showed them which may have been, in their mind, a home run even if in your mind it was just a triple.
Quintessential Checklist for Flow Performers
Monday, September 29th, 2008
As technology changes and opportunities for fire dancing performances expand, more flow artists than are finding themselves in front of audiences of all kinds. This article offers a must have checklist of items to bring to your gigs and is a great resource for artists new to the performance world.For All Gigs:
- all the tools you will use for the performance, burned a few times and in good working order
- a sound system you know projects music at a volume loud enough to hear over the sound of the fire
- music to play on the sound system — be sure to bring the music in a format that is usable on the sound system you will be using, especially if it is someone else’s system
- a backup copy of the music — which can mean both MP3 as well as CD versions of the music
- charged batteries for your light up toys and sound system as necessary
- a cable that will connect from a headphone jack (an 1/8th inch cable) to a mixing board (RCA for left and right channel) which is also known as a “Y Adaptor”
- power cords and extension cords for your sound system if you will be using an electrical outlet rather than batteries
- business cards to hand out to the audience
- your dancing shoes
- costuming
- makeup
- any additional props used during your act
For Fire Gigs:
- fuel if you are spinning fire
- duvetyn or wet towel for your safety person
- a trained person to act as your fire safety personnel
- a lighter from which to ignite your tools
- candle or caldron if you use one as part of your show
- paperwork, as necessary, including fire permits and insurance certificate
5 Tips for Improving Your (Poi Fire Dancing) Flow
Sunday, September 28th, 2008
If you’ve been struggling with finding your fluidity, we have the answer for you! Check out the new article outlining 5 must have techniques you can use to add more flow to your practice.
If you are new to poi, hoop, staff, fans and other flow arts, and even if you’re an experienced practitioner learning some new tricks, you may wish you had more flow in your practice. To help you out, we’ve assembled a list of a few different things you can focus on to assist you as you are evolving in your flow arts practice.
- First, and perhaps both the simplest and hardest thing to do, breathe more. It is very common for people new to a flow arts practice to hold their breath, especially as they are learning new movements which challenge their body. Focusing on the breath allows you to bring more ease into your body by keeping your physiology in a state of ease, whereas holding your breath can create tension throughout your body, making it harder to move than it might be when you breathe normally.
- If you find it especially hard to breathe normally during specific parts of a pattern you are working with, you’ll want to focus on slowing your experience down so you can relax into the movements more effectively. For example, if you are struggling with the back petal on your left hand when doing a 4 petal side plane flower, you’ll want to put special attention on how you are creating that petal. One effective way of doing this is to exhale during the most difficult portion of the movement. Repeating this practice often helps people slow the movement down, allowing them to notice more and more details of the movement. By noticing more detail, people can then correct their movements with granularity which helps increase flow.
- Regardless of the patterns and sequences you are working with, putting focus on your core and center will allow you to have more control of your body and your poi. As you learn how to manipulate your body with more subtlety, you will be able to extend that control into your poi which will create more precision in your spinning. In addition, a strong connection to your core and center will help you flow through each movement that arises with greater ease.
- As you integrate these tools into your practice, you will naturally be finding your balance, in body, mind and spirit as well as in the movement of the tools that become a flowing extension of your body. This sense of balance will help stabilize your spinning and will subsequently add flow.
- Finally, take a look at how you can create your own experience so that the patterns you are doing are more than just a weave or reel or flower and instead become a work of art created from your specific way of moving with the tools. One effective technique to help create your own experience is to spin to music that really resonates in your being — something that inspires you. The more inspired you are, the better! It can even help to get headphones (remember to hide the cord under your clothing!) and a portable music device small enough to have little impact on your movements. By putting yourself in a bubble of sound, you can help create a separate experience from the rest of the world around you to help create more internal flow.